Attending a Workshop

In view of the recent pandemic I would request taking a Lateral Flow Test before attending the studio workshops,

Masks are not compulsory but feel free to wear one if it makes you feel safer.

Hand sanitiser will be available and the studio is cleaned throughly between classes.

To get the most from your studio workshop and avoid disappointment I suggest reading the following, brillaintly put together by Jackie Simmonds

BEFORE YOU LEAVE HOME:

  • Think a little about what you would like to achieve during the workshop. It may be that you don’t really mind, and are happy just to go along and accept whatever happens.  But…if you know you are “stuck”, perhaps, in certain ways, you could use the workshop to help you shift a little. 
  • Take your sketchbook with you…useful to show your instructor what you are capable of, and useful for notes in the back. 
  • Take one or two paintings you have done, if you have any, but don’t be upset if the instructor does not have time to see them…for instance, on a one day workshop, with lots of participants, it just may not be possible.
  • Try out any new equipment or art materials you have purchased, to familiarise yourself with it/them.
  • If you have problems at home…try to leave them at home! I have heard students pour their hearts out to others about their horrible husband/rotten wife/financial difficulties/chronic illnesses – and although people might well be sympathetic, they actually need all their energies for the workshop, not for your issues. 

DURING THE SESSION.

  • IT IS VITAL THAT YOU MAKE NOTES (ideally in the back of your sketchbook, so you will never lose them). You cannot possibly remember all you will hear from your instructor
  • As the instructor moves around the room, LISTEN to what is being said to other students. It may well apply to your work too.
  • MAKE A LIST of things which occur to you as you work. Then, when the instructor comes to you, you can ask about those things.
  • BE CONSIDERATE. For instance, do not spray fixative in enclosed spaces, and try to contain your materials to your immediate vicinity rather than spread out too far, particularly in a crowded room.
  • BE ON TIME.Nothing worse for the class than waiting around for someone who is late, or takes forever to pack up when it is time to move to a new location. If you do arrive late, and the class or demo has started, you have no right to complain or demand a re-run, even if you feel you have paid the full fee and are therefore entitled! (I have seen this happen!)
  • You may well feel nervous and apprehensive. Your fellow students are probably feeling the same way even if they don’t appear to be! Even a more experienced painter may feel apprehensive at a workshop. It is useful to remember that at every level, artists have their own demons to contend with and are very rarely self-satisfied!  So… Never compare your work to your neighbour’s…after all, they may have been painting far longer than you have.  You should only ever compare your work to work you were doing, say, a year ago…THAT is the best reflection of your progress.
  • REDUCE YOUR EXPECTATIONS.  The nerves, the unfamiliar surroundings, the problems of being away from the comforts of home, will all play a part. Your work may not be even as good as the work you do at home. Don’t worry about this…it is quite normal, and what you learn during a workshop will often show in your work at a later date. It’s frustrating, I know, but this is often the way it works, even for more experienced painters.
  • Be OPEN-MINDED and ready to try something new. You are there to learn, so take a leap of faith and try whatever is suggested, even if it doesn’t appeal to you. If it doesn’t work for you – so be it – it is just as useful to find out what does not work for you, as what does!
  • Accept criticism of your work with good grace;  any criticism you receive hopefully will be constructive, it will help you grow as an artist. Have a good think about what the instructor has said, if it seemed adverse to you. Try to examine your work again calmly, and see it through new eyes.
  • CONCENTRATE QUIETLY on your work, rather than chat away constantly to your neighbour. They may be too polite to ask you to stop talking – but they may actually want to concentrate without any such distractions. Chattering in a class can be quite disturbing for everyone, actually. Save it up for the breaks!

A workshop session can be really rewarding –  challenging –  exciting – enlightening – action-packed – but it can also be exhausting, overwhelming, frustrating, sometimes even downright upsetting – you need to be mentally prepared for anything.  You may go home filled with new ideas and renewed vigour and enthusiasm, or there is a small chance you may go home feeling rather shattered and despondent – it can happen.  BUT it is a risk worth taking – the chances are really good that you will have had the most marvellous, eye-opening experience –  suddenly new doors may have opened for you.  Your notes will prove useful in the days and years to come, and the experience will certainly have enriched your life.

With thanks to Jackie Simmonds – some very useful advice!!

01380 724788
Rowde Court Studio, Marsh Lane, Rowde, Wiltshire, SN10 2NW
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